Digging up layers of her experiences and newfound musical partnership with McCormick have proven fruitful in her efforts to discover, digest, nurture and savor the essence of the music she’s making now, and who she has become. Stream 1.FM - Sax4Ever 1.fm Bay Smooth Jazz 1000 Smooth Hits laut.fm 101 Smooth Jazz 101 Smooth Jazz 101 Smooth Jazz Mellow Mix 103.7 The Oasis 181.fm. Though the Nashville-based songwriter may view these works as sheer moments cultivated along a perpetual journey coming full circle, What, When and Without triumphantly hints at the sound of “full bloom,” and finds Fields flourishing more vibrantly than ever before. Fields’ takeaway, however, feels more reflective of the resilience found in the growth stages of a flower calmly embracing dormancy rather than seeing a return to suffering. Bringing you Boney James, Euge Groove, Peter White, Brian Culbertson, Richard Elliot, Dave Koz, Kirk Whalum and many more from the world of smooth jazz with DJs 24 hours a day. Formed in 1986 by guitarist and band leader Russ Freeman (not to Shakatak 118,077 listeners Shakatak is an English jazz-funk band, founded in 1980. Calm Radio delivers over 1000 channels of calming sounds, sleep music, sleep sounds, sleep stories, guided meditations, and meditation music that will have you feeling grounded and refreshed in no time. Vivid words and iridescent textures underlie the delicacy with which she explores the bittersweet, cyclical nature of emotional and psychological turmoil that illuminates the human experience. The world's favorite smooth jazz station. The Rippingtons are a contemporary jazz group, often considered Smooth Jazz. Fields’ shimmering soprano is equally as kaleidoscopic, fluttering above lyrics she manages to both suspend and anchor to, gently coaxing listeners to still themselves in the quiet of her tender, world-wise storytelling. The record, produced by Megan McCormick (Jenny Lewis, Allison Russell, Amythyst Kiah), and engineered/mixed by Brandon Bell (Brandi Carlile, Miranda Lambert, Robert Randolph) encompasses a sonic shift and an emotional metamorphosis, equipoising unbridled self-questioning with cascading proclamations of prismatic guitar. Turning against the grain of bluegrass to merge her Appalachian roots with a tranquil, more variegated palette, Amanda Fields’ captivating new collection, What, When and Without, hovers like a veil of calm over the verdant valleys that run between suffering and insight, devotion and non-attachment, growth and liberation, nostalgia and closure.
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